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In 2016, she played the lead in the production Godface by the Australian company Matriark Theatre. What began as a niche subculture has since

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Her debut collection, The Salt in the Crevice (2016), weaves together oral testimonies from former residents of a submerged Acadian village, her own childhood recollections, and speculative fragments. Critic Roland Pugh described it as “a ghost box of a book—part ethnography, part elegy.”