With physical art, the canvas on the wall is the original. With digital art, what is the original? The file? The PSD? The first print? This challenges notions of authenticity and value in the art market.
Many traditionalists complain that drawing on glass or plastic feels "slippery" and "dead." You don't feel the tooth of the paper or the drag of the charcoal. Solutions exist: paper-textured screen protectors (like PaperLike for iPad) and felt nibs for styli, but the disconnect remains. Some artists never adjust.
Many modern hybrid programs (like Clip Studio Paint ) allow both raster and vector layers within the same document.
With physical art, the canvas on the wall is the original. With digital art, what is the original? The file? The PSD? The first print? This challenges notions of authenticity and value in the art market.
Many traditionalists complain that drawing on glass or plastic feels "slippery" and "dead." You don't feel the tooth of the paper or the drag of the charcoal. Solutions exist: paper-textured screen protectors (like PaperLike for iPad) and felt nibs for styli, but the disconnect remains. Some artists never adjust.
Many modern hybrid programs (like Clip Studio Paint ) allow both raster and vector layers within the same document.