Richard Serra Philip Glass Meeting City ◆ < ULTIMATE >

In 1964, Richard Serra arrived in Paris on a Yale traveling fellowship. It was here that he first met Philip Glass, who was studying with the legendary Nadia Boulanger. The two young artists quickly bonded by swapping cultural influences that would stay with them for life:

"Maybe I will," Glass said.

| | Richard Serra (Space) | Philip Glass (Time) | | :--- | :--- | :--- | | Core Sensation | Weight, gravity, enclosure | Repetition, trance, flow | | Body Response | Slowed walk, cautious touch | Fixed gaze, rhythmic nodding | | Perceptual Shift | Loss of vertical reference | Loss of chronological time | | The "Meeting" | The steel becomes a frozen chord | The music becomes a moving wall | richard serra philip glass meeting city

As for Serra and Glass, their creative partnership has endured, yielding numerous projects that continue to inspire and challenge audiences worldwide. Their groundbreaking collaboration in New York City remains a testament to the power of artistic convergence, demonstrating that, when visionary minds meet, the boundaries between disciplines dissolve, and the possibilities become limitless. In 1964, Richard Serra arrived in Paris on

They had met in Paris a few years prior, studying under the composer Nadia Boulanger and hanging out with the restless playwright Sam Shepard. But the "Richard and Phil" of Paris were different from the ones surviving in New York. In Paris, they talked about theory. In New York, they talked about how to survive the night. | | Richard Serra (Space) | Philip Glass

"Philip and I shared a desire to challenge the status quo, to create something that would speak to the city and its inhabitants in a new way. Our collaboration was a natural extension of our individual practices, and it opened up new possibilities for both of us."