At first, it was mundane. Black and white grain, washed-out contrast. It showed a kitchen. A woman was peeling a fruit that didn't look quite right—its skin was too dark, too textured, like slate. She was humming a tune that the projector couldn't quite capture, a low thrumming that vibrated in Elias’s teeth rather than his ears.
Some key points:
The film’s most profound subject is the taboo against nostalgic narrative itself. Part 2 is presented as a silent film (except for Ventura’s voice-over, the music, and diegetic sounds), shot in luscious, widescreen black-and-white. Gomes is critiquing the very form of colonial nostalgia: the way we wash painful history in the sepia tones of memory. Ventura’s story is beautiful, romantic, and utterly self-serving. He omits the violence, the boredom, and the complicity of their lives. what is the movie taboo about