In the age of digital perfectionism, the word “workprint” feels almost archaeological. Once a necessary evil of analog editing, the workprint—a rough, unfinished version of a film, often with temporary sound, missing effects, and placeholder music—has become a mythical object. For fans of Aaron Schimberg’s unsettling 2024 meta-thriller A Different Man , the rumored existence of an early workprint has taken on the same legendary status as lost cuts of Blade Runner or The Magnificent Ambersons .