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Beauty and the Beast (1991) is not just a children’s movie. It is a film about how true love is an act of will, not an accident of appearance. It teaches that libraries are sexy, that patience is a weapon, and that the real monster is usually the one holding the mirror, not the one hiding in the castle.

Let’s talk about the villain, because Gaston is scarier now than he was in 1991. He is the handsome, charismatic, entitled populist. His song “Gaston” is a drinking anthem for fragile masculinity. He literally says: “It’s not right for a woman to read. Soon she starts getting ideas … and thinking .” In 2024, this character is terrifyingly relevant. He doesn’t want Belle; he wants the idea of Belle as a trophy. He leads a mob not out of fear of a Beast, but out of rage that a monster is loved when he is not. The climax—the rain-soaked fight on the castle rooftops—is a brutal, visceral piece of action animation.