Lily Carter Karina White

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This paper investigates the collaborative practice of two emerging multimedia artists, Lily Carter and Karina White, whose joint oeuvre (2018‑2024) has garnered critical attention for its interrogation of gender, digital embodiment, and post‑colonial narratives. Drawing on semi‑structured interviews, visual analysis of selected installations, and archival research, the study maps the evolution of their partnership, situates their work within broader contemporary art discourses, and evaluates the socio‑political impact of their most significant projects: Synthetic Flesh (2019), Echoes of the Archive (2021), and Borderless Bodies (2023). The findings reveal a mutually constitutive creative process that foregrounds hybridized identities, co‑authorship, and participatory methodologies, offering a model for collaborative praxis in the digital age. lily carter karina white

Bishop (2012) argues that collaborative art destabilizes hierarchical structures of production. Subsequent studies (Kester, 2015; Szymanek, 2019) have extended this argument to digital media, emphasizing the role of networked technologies in facilitating co‑creation. Carter and White’s practice aligns with this trajectory, yet remains under‑examined in peer‑reviewed literature. If you have a particular field or context

Handheld camera work and natural lighting, typical of the early 2010s. The findings reveal a mutually constitutive creative process