For the first time in years, Jack felt the weight of purpose. He wasn't just chasing a story anymore; he was the story. He checked his revolver—a useless peashooter against government tech—but then looked at the determination in the siblings' eyes.

The witch wasn’t killing people. She was auditioning them. The three who died? They failed the test. They tried to close the book. Lena understood: you don’t close a living story. You walk into it.

That night, the silence was broken by the radio. It wasn’t music, but the static-laced chatter of emergency bands. “Code Red at the desert facility. Subjects are mobile. SION instructions: contain at all costs.”

The witch and the girl sat in the hollow until dawn. They did not fight. They did not flee. They talked about loneliness like it was a language only they remembered. And when the sun rose, the witch did not vanish. She became the girl’s shadow—not a curse, but a companion. Because some stories don’t end. They just change narrators.

Sarah placed a hand on the dashboard. The Bronco’s engine groaned, then roared with a sudden, unnatural surge of power. The radio static cleared, reforming into a digital frequency. "I can mask us," she said, "but not for long. We need to go to Witch Mountain."

They trust us
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