The Passion Of Sister Christina ^hot^ Info

She was not wrestling with doubt in the existence of God. Her faith was an iron rod, unbending and cold. What she wrestled with was the terrifying, suffocating dryness of His presence. For years, she had sought the ecstasy of the mystics—the burning heart of Teresa, the visions of Catherine. She had offered her youth, her beauty, her intellect, and her voice. In return, she had received only silence.

Director Teresa Fabik went on to direct episodes of Wentworth and The Secret Life of Us , but The Passion of Sister Christina remains her most award-winning short. the passion of sister christina

Starred in the musical Sister Act at the Teatro Brancaccio in Rome. A Crisis of Identity She was not wrestling with doubt in the existence of God

And in that total surrender of hope, she found it. For years, she had sought the ecstasy of

Christina was known among the other sisters for her silence. Where the older nuns chattered in hushed tones about the weather or the quality of the harvest, and the younger novices giggled behind the chapel pillars, Christina moved like a shadow. Her face was a pale mask of serenity, her eyes perpetually downcast. The Mother Superior often pointed to Christina as the exemplar of holy obedience, a woman who had successfully crucified her ego.

Days turned into weeks. Christina could not eat. When she tried to pray, the words tasted like ash. The rituals that had once structured her life now felt like a cage. She found herself staring out the high, barred windows, watching the crows wheel in the grey sky, overcome with a covetousness so sharp it frightened her. She coveted the crows' freedom. She coveted the wind’s aimless wandering. She coveted sin.

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